Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Friday, July 3, 2020

"Rock For Relief" Tonight!

Danielia Cotton
Photo:
Chia Manning
Riding a new wave of critical acclaim from A Different War, her incredibly timely and most politically charged album to date, widely heralded Biracial blues-rocker DANIELIA COTTON has risen again into the light, fiercely and defiantly, to join a star-studded lineup for “Rock for Relief,” the star-studded benefit concert supporting Feeding America’s COVID-19 Response Fund on July 3 at 8pm ET and again at 11pm ET broadcasted at www.rockforrelief.net.

Presented by United Stations Media Networks and Storic Media Podcast Network, “Rock for Relief” is the latest national spotlight event to heal this tattered nation for Cotton, following her performance at the Juneteenth Tulsa Block Party with Sen. Kamala Harris, Alfre Woodard and others.

“Rock for Relief” arrives as Cotton is entering a “new normal” touring mode with her “Virtual Album Release Tour,” which kicked off last weekend at Sellersville Theater in Sellersville, PA, simultaneously launching the theater’s virtual concert series as well. Her next stop is July 8 at Tanzman Park in Woodbridge, NJMore dates will be announced shortly.

The “Rock For Relief” benefit show, to raise awareness and donations for families in local communities across the nation, will be hosted by Lou Brutus and Riki Rachtman with talent interviews conducted by Alice Cooper and Joe Satriani. [View Trailer]Cotton joins a stellar line-up of performers that includes headliner Corey Taylor alongside Gavin Rossdale, George Thorogood, Don Felder (formerly of The Eagles), Myles Kennedy (Alter Bridge), Lzzy Hale & Joe Hottinger (Halestorm), Jesse Hasek (10 Years), Filter, Lisa Loeb, The Dead Daisies, Chris Robertson (Black Stone Cherry), Starset, Brandon Saller (Atreyu), Ricky Byrd, Bobby Whitlock & CoCo Carmel, Joe Grushecky, Kathy Sledge, Bones Owens, BJ Thomas, Matt Bigland (Dinosaur Pile-Up) and more, with special appearances by Peter Frampton and Adam Gontier of Saint Ansonia.

Feeding America estimates that an additional 17.1 million people could be food insecure in 2020 as a result of this crisis – for a total of 54.3 million people, or 1 in every 6 people. This is a 46% increase over the 37.2 million people who were food insecure prior to the COVID-19 crisis.

Cotton will be performing an acoustic version, on piano, of “A Different War,” the title track from her latest album, which finds the woman whose music is “soulful enough to fill a revival tent” (The New York Times) and whose voice gives her songs “stunning power” (No Depression) speaking to these extraordinary times by unloading her sin while the world around her is gripped in a turbulent spin.

She will be joined for this special live performance by prominent Bronx hip-hop artist Mickey Factz, reprising his guest appearance on the original album track. “A Different War” examines how the reality of people of color getting called into battle as a result of being marginalized informs their entire existence. The song also urges us to press ahead because of the ongoing need for substantive change.

Saturday, June 20, 2020

Juneteenth Block Party Today!

Danielia Cotton
Photo:
Chia Messina 
DANIELIA COTTON TO JOIN TULSA’s NATIONAL JUNETEENTH BLOCK PARTY
WITH SPECIAL PERFORMANCE OF ‘A DIFFERENT WAR’


Riding a new wave of critical acclaim from A Different War, her incredibly timely and most politically charged album to date, widely heralded blues-rocker DANIELIA COTTON has risen again into the light, fiercely and defiantly, to join a star-studded lineup for Tulsa’s national Juneteenth Block Partya virtual event to accompany
on-the-ground celebrations happening over the weekend. The Block Party will begin streaming tomorrow (Saturday, June 20) at 6 p.m. CT at www.tulsablockparty.com.

The Juneteenth Block Party event arrives as Cotton enters a “new normal” touring mode with her Virtual Album Release Tour.” The first stop on the tour will be Friday, June 26 at Sellersville Theater, 24 West Temple Ave., Sellersville, PA. Show time is 8 p.m. More dates will be announced shortly.

The Full Livestream Concert at Sellersville Theater on June 26 will be streamed LIVE on the Sellersville Theater Facebook page. This is a PAY AS YOU PLEASE Event. All contributions will go to support both Danielia Cotton and Sellersville Theater. Payment information will be available while watching the show.

The Juneteenth Block Party was created to recognize Juneteenth, the holiday that marks the abolition of slavery in the United States and celebrate the culture of African American communities in Tulsa and around the country. The Block Party lineup will include conversations, stories, messages of hope, and musical performances from a number of prominent Tulsans and beyond, and special celebrity guests. Organizers promise the Juneteenth Block Party to be “the moment this country deserves for an exceptional holiday weekend.”

Cotton joins a stellar list of confirmed participants including Alfre Woodard, Sen. Kamala Harris, NBA Houston Rockets’ Russell Westbrook, creator of HBO’s Watchmen Damon Lindelof, former Attorney General Eric Holder, former Governor of Massachusetts Deval Patrick, Emmy-award winning filmmaker Stanley Nelson, Biden 2020 Sr. Advisors Karine Jean-Pierre and Symone Sanders, Emmy nominated comedian Baratunde and more celebrity guests. 


Cotton will be performing an acoustic version, on piano, of “A Different War,” the title track from her latest album, which finds the woman whose music is “soulful enough to fill a revival tent” (The New York Times) and whose voice gives her songs “stunning power” (No Depression) speaking to these extraordinary times by unloading her sin while the world around her is gripped in a turbulent spin.

She will be joined for this special live performance by prominent Bronx hip-hop artist Mickey Factz, reprising his guest appearance on the original album track. “A Different War” examines how the reality of people of color getting called into battle as a result of being marginalized informs their entire existence. The song also urges us to press ahead because of the ongoing need for substantive change.

In a deeply personal and moving editorial she titled “Fade to Black” just published by SWAAY.com, Cotton confronts her own upbringing as a biracial woman in a predominantly white upper middle class New Jersey suburb. Read it here.

Cotton frames A Different War by confronting race, gender, and wealth − deeply personal and pervasive issues that have plagued folks like her for an eternity.

Calling the album, “stunning and stirring,” American Songwriter praised A Different War for “an uncompromising urgency that transforms its songs into anthems for our times.” Including the album among its Best Bets in “The Hotness” Summer Issue, BUST Magazine raved: “A Different War is an album bursting with soulful blues rock, delivered with steely confidence. … Whether she’s wailing Janis Joplin-style on ‘Cheap High’ or declaring ‘I was not born a man, but I can do anything that he can,’ on ‘She Too,’ she’s in control, and she’s our kind of belter.”

Adding to the praise for A Different WarMediaNews Group syndicate was impressed at how Cotton’s “consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to continue to fight.” San Francisco Classical Voice chimed in, saying “I would really encourage you to take a listen to” the new album.

Throughout her career, the longtime New Yorker from Hopewell, NJ, has drawn praise from the New York TimesBillboard, the Los Angeles Times, NPR, and USA Today, among many others. She continues to inhabit a song, turning it inside and out to create transcendent music and lyrics, and carry us higher and higher with her in her musical flights.

A Different War finds the gutsy New Yorker swimming through the tumultuous social issues of racism and greed, and the tempestuous waters of love and relationships. These are songs deeply rooted in the protest anthems of yesterday but built for the current state of our world. A multi-racial, gospel-fueled, Jewish blues-rocker who believes in the power of womanhood, Cotton grew up in a predominantly white New Jersey community as one of just seven black kids in her high school. She has survived cancer and the tragic loss of twins at birth, only to bounce back and finally welcome a daughter in 2018. Cotton’s consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to fight “A Different War.”

A Different War is a true collaboration with some of the most talented musicians and technicians in the business. From Aaron Comess (Spin Doctors, Joan Osborne, Edie Brickell) on drums, Ben Butler (Sting, George Michael, Chris Botti) on guitar, and Andy Hess (Gov’t Mule, Black Crowes) on bass, to young gun guitarist Emmanuel Rossillo working his first major studio project, the record resonates with innovation and flare. The finishing touches of the brilliant mix provided by Dave O’Donnell (James Taylor, Sheryl Crow, John Mayer) and the mastering of Greg Calbi (numerous hits over the past 20 years) make this record a true meeting of the best of the best.

The evidence is clear on A Different War that DANIELIA COTTON continues to evolve and challenge herself as a musician. Fifteen years since her breakout as an Artist to Watch by influential Philadelphia public radio outlet WXPN, Cotton remains a true indie artist fighting for independence – the space to create her own sound and an audience that would journey with her.

Available NOW at Apple Music, Spotify, Amazon, and where music is consumed on-line.


Friday, June 19, 2020

Have A Good Time (But Get Out Alive)


“Few bands offered up material as gritty, rich, and poignant as Pittsburgh’s own The Iron City Houserockers. … [An] epic musical milestone. … Given the current world pandemic, there’s a modern-day relevance to the message of the title track and the album itself. Get Out Alive! has always been a record of hope, home, solidarity, community, strength, and love - themes that are as important today as they were 40 years ago. 5 STARS”
- Goldmine

The physical edition of the greatly expanded 40th anniversary deluxe reissue of Have a Good Time (But Get Out Alive), the sophomore album originally hailed by Rolling Stone as “a new American classic” from beloved Pittsburgh rocker Joe Grushecky and his gritty, blue-collar outfit the Iron City Houserockers, arrives TODAY (June 19) on CD and vinyl amid a mounting new groundswell of attention.

holy trinity of rock and roll royalty united to help oversee the recording, as Mick Ronson (David Bowie), Ian Hunter (Mott The Hoople) and Steven Van Zandt (Bruce Springsteen, Southside Johnny) combined with co-producers the Slimmer Twins (Steve Popovich Sr. & Marty Mooney) and the Iron City Houserockers to create one of rock’s great lost classics. Their cohesive efforts − as producers, arrangers and players − will finally be rediscovered as an entirely new listening experience on CD and vinyl when Have a Good Time (But Get Out Alive) is released by fabled indie label, Cleveland International Records. The remastered two-CD set includes a bonus disc with 16 previously unreleased tracks of demos and other rarities. The new vinyl edition will include a download card of those same 16 tracks to go with a vinyl replica of the original album. The digital package is on sale NOW and streaming here. Order the vinyl and physical CD here. Order the exclusive Iron City Houserockers Bundle Pack at www.clevelandinternational.com.

The presence of Hunter, Ronson and Van Zandt, says the Houston Press, sets “this project apart,” and “gives the whole record a sort of Pittsburgh/New Jersey/London amalgamation vibe.” MediaNews Group called this chapter in Grushecky’s four-decade career “one of his shining moments.”

Little Steven’s Underground Garage celebrated Digital Release Day with a “Coolest Conversations” album spotlight, as Grushecky spoke with the Mighty Manfred on Sirius XM. Ultimate Classic Rock hosted an exclusive Track Premiere of the bonus disc demo version of “Hypnotized (A Work in Progress),” featuring Hunter and Ronson, and called the new release “cool stuff.”

Iron City Houserockers
American Songwriterin an interview with Grushecky, hails Have A Good Time (But Get Out Alive) as “a forgotten gem of a record, a time capsule of frenetic ‘80s energy and lyrics about home that hit home, performed by the toughest, tightest band from the ‘work hard, play hard’ working-class streets of Pittsburgh." The magazine adds that the bonus disc not only “documents each song's evolution,” but “showcases how Grushecky and the band took it up a notch when the 'record' button was pressed."

Goldmine, in a new five-star review, proclaims the album an “epic musical milestone,” and placed it in the context of the current world pandemic, noting the how “few bands offered up material as gritty, rich, and poignant as Pittsburgh’s own The Iron City Houserockers” and the “modern-day relevance to the message of the title track and the album itself. Get Out Alive! has always been a record of hope, home, solidarity, community, strength, and love - themes that are as important today as they were 40 years ago.”

Adds Midwest Record: “Anyone that wants to rock will salute this. Amazingly heady still after 40 years of sitting in limbo, waiting for the sky to fall.”

Forty years since The Iron City Houserockers’ willingness to let Ronson, Hunter and Van Zandt reshape their initial ideas in the studio proved prophetic, and the songs they recorded for the 1980 release put down roots that stretched far outside of Pittsburgh. Greil Marcus, in The Village Voice, said Have a Good Time (But Get Out Alive) was “the strongest album an American band has made this year” and “proves the Iron City Houserockers are the best hard rock band in the country.” All Music Guide marveled at the new album’s power surge, saying the band “landed with the impact of a Louisville slugger connecting with a fastball” and crediting Grushecky for songwriting and lead vocals that “seethe with a furious passion that's never less than convincing. … The total commitment of his performance, delivered with the conviction of a man fighting for his life, brings these stories to vivid, sweaty life.”

Have a Good Time (But Get Out Alive) is listed as one of the top eight Essential Heartland Rock records alongside the likes of Bob Seger's Night Moves, and John Mellencamp's Scarecrow,
and features many of the Houserockers' signature tunes, including "Pumping Iron,” "Junior's Bar," and "Have A Good Time.” During a 1981 live radio concert in Boston, rabid fans can be heard screaming requests for “Pumping Iron,” an anthem Grushecky penned as a tribute to his home city, and which he still usually plays with Bruce Springsteen when they perform together.

As Hunter fondly remembers: “Joe and the Houserockers were and are an actual rock and roll band. So many 'rock and roll' bands are not real − they just look and act like they are − and fool people most of the time. These guys are for real − and what a lovely man Joe is.”

In the liner notes, Grushecky offers a remarkably concise analysis of the record that emerged: “We had great songs and the band was smoking,” he writes. “We all knew something special was happening. The results were a mixture of Pittsburgh rock and roll, Jersey Shore savvy and soul, and English mystic and muscle. Add a dash of Cleveland moxie and an anything goes attitude and a legendary album was born.” 

Sunday, May 17, 2020

A Different War


FIERCELY AND DEFIANTLY, DANIELIA COTTON
RE-EMERGES TO CONFRONT RACE, GENDER, AND WEALTH
IN THESE DIFFICULT TIMES WITH ‘A DIFFERENT WAR’

§  Most Politically Charged Album of Heralded Career Due May 29
§  2nd Single, Cheap High, Now Active at Triple A
§  ‘Live from Home’ Streaming Concert to Premiere SUNDAY

“Ms. Cotton testifies to pain, need, revelation and redemption in a voice that’s as raw as it is indomitable.” – The New York Times 

Hailed by The New York Times for music that’s “soulful enough to fill a revival tent,” DANIELIA COTTON has risen again into the light, fiercely and defiantly, with A Different War, her most politically charged album in a widely heralded career.

Set for release May 29 on all major digital platforms through Cottontown Music, the six-song opus finds the “fiery rock vocalist” (American Songwriter), whose voice gives her songs “stunning power” (No Depression), speaking to these extraordinary times by unloading her sin while the world around her is gripped in a turbulent spin. Cotton frames A Different War by confronting race, gender, and wealth − deeply personal and pervasive issues that have plagued folks like her for an eternity.

As the first single, “Forgive Me,” moves up the Triple A charts, the second single“Cheap High,” is now active at radio. The music video will premiere next week. The “Live from Home” Streaming Concert will premiere Sunday (May 17) at 7:30 p.m. EST on Facebook Live.

Additionally praised by Billboard, the Los Angeles Times, NPR, and USA Today, among others throughout her career, Cotton continues to inhabit a song, turning it inside and out to create transcendent music and lyrics, and carry us higher and higher with her in her musical flights. 
It's Danielia!
Photo:
Chia Messina
A Different War finds the gutsy New Yorker swimming through the tumultuous social issues of racism and greed, and the tempestuous waters of love and relationships. These are songs deeply rooted in the protest anthems of yesterday but built for the current state of our world. A multi-racial, gospel-fueled, Jewish blues-rocker who believes in the power of womanhood, Cotton grew up in a predominantly white New Jersey community as one of just seven black kids in her high school. She has survived cancer and the tragic loss of twins at birth, only to bounce back and finally welcome a daughter in 2018. Cotton’s consistent ability to overcome pain and express it through music shines a light on the issues of the day and shows the world what it's like to fight “A Different War.”

“This is the first album I’ve made that includes songs that are both social and personal,” says Cotton. “On several of these songs I tried to get out of my own head and talk about the world outside. I think about the experiences of my listeners. I like when the listener can jump into a song.”

The title track examines how the reality of people of color getting called into battle as a result of being marginalized informs their entire existence. Featuring a guest appearance by prominent Bronx hip-hop artist Mickey Factz, the song also urges us to press ahead because of the ongoing need for substantive change. “Cheap High” is a stomping rocker that finds Cotton probing our precarious economic situation, speaking to both a personal unhappiness arising from greed, and the dangers of a society mired in economic disparity and despair. The evocative and transporting music of “Forgive Me” mimics the lyrics, which Cotton wrote with her sister, Catherine Fulmer-Hogan, stressing the necessity of forgiveness in any relationship in order for its survival. The fierce feminist anthem “She Too” is a propulsive rocker that rides along a screaming lead solo. Cotton’s bluesy vocals on this track defiantly proclaim not only equality but righteous anger at anyone who wants to silence women for raising their voices in unity against abuse, ill and unequal treatment.

A Different War is a true collaboration with some of the most talented musicians and technicians in the business. From Aaron Comess (Spin Doctors, Joan Osborne, Edie Brickell) on drums, Ben Butler (Sting, George Michael, Chris Botti) on guitar, and Andy Hess (Gov’t Mule, Black Crowes) on bass, to young gun guitarist Emmanuel Rossillo working his first major studio project, the record resonates with innovation and flare. The finishing touches of the brilliant mix provided by Dave O’Donnell (James Taylor, Sheryl Crow, John Mayer) and the mastering of Greg Calbi (numerous hits over the past 20 years) make this record a true meeting of the best of the best.

The evidence is clear on A Different War that DANIELIA COTTON continues to evolve and challenge herself as a musician. Fifteen years since her breakout as an Artist to Watch by influential Philadelphia public radio outlet WXPN, Cotton remains a true indie artist fighting for independence – the space to create her own sound and an audience that would journey with her.

Available May 29 at Apple Music, Spotify, Amazon, and where music is consumed on-line.

Friday, February 28, 2020

"Forgive Me"


FIERCELY AND DEFIANTLY, DANIELIA COTTON
RE-EMERGES FROM THE SHADOWS WITH ‘FORGIVE ME’

1st Single From ‘A Different War’ Out 2/28/20

https://music.apple.com/us/album/forgive-me-single/1500173385

“Ms. Cotton testifies to pain, need, revelation and redemption in a voice that’s as raw as it is indomitable.” – The New York Times

Hailed by The New York Times for music that’s “soulful enough to fill a revival tent,” DANIELIA COTTON has spent the past few years since her last album pulling herself out of the shadows, and she’s rising again into the light, fiercely and defiantly.

FORGIVE ME, the first single, due Feb. 28, off her newest album, A Different War, arriving later this year, sends a potent message that the “fiery rock vocalist” (American Songwriter) whose voice gives her songs “stunning power” (No Depression) has re-emerged and is delivering even more powerfully moving music than ever.

The hypnotic rhythms of the opening guitar chords transfix us, while Cotton’s somber opening vocals blossom into soaring flights of rocking soul. The evocative and transporting music of FORGIVE ME mimics the lyrics, which the Hopewell, NJ, native wrote with her sister, Catherine Fulmer-Hogan, stressing the necessity of forgiveness in any relationship.

“The only way you survive a relationship is through forgiveness,” says Cotton. “‘Don’t get lost in the fight,’ as I sing in the song. If you’re gonna last, then you’re gonna forgive each other a million times.”

Additionally praised by Billboard, the Los Angeles Times, NPR, and USA Today, among others throughout her career, Cotton, as always, inhabits a song, turning it inside and out, creating transcendent music and lyrics, and carrying us higher and higher with her in her musical flights.

Available at Apple Music, Spotify, Amazon, and where music is consumed on-line.


Genre: Rock, Soul, Blues

“Forgive Me” credits
Words: Danielia Cotton and Catherine. Fulmer-Hogan
Music: Danielia Cotton
Players: Andy Hess (Bass), Aaron Comess (Drums), Ben Butler (guitar), Danielia Cotton (guitar, piano, vocals)
Production: JCS (Jw Johnson, Danielia Cotton & Craig Shofed)